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Transcendentalism in modern music Essay - 1132 Words | Cram

Date of publication: 2017-08-25 09:16

Foreground (Vordergrund) is the surface layer of the music. Schenker regards music in terms of layers of elaboration from the profound structure to the surface.

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Essay/Term paper: Modern music composition - Dream Essays

Neighbour Note (Nebennote) is a diminution in which a note is ornamented by a figure that moves stepwise to a note above or below the original note before returning to it. In other words, it elaborates a note of a chord through stepwise motion to and/or from a dissonance. Neighbour notes may also be incomplete (move to a note a step away and not return to the original note). A complete neighbour note moves stepwise a dissonance and back again. An incomplete neighbour note can move from the dissonance to the consonance or the reverse.

Basic Concepts And Principles In Modern Musical Analysis

Tonicization is the Schenkerian term for modulation. The use of this term highlights the fact that a tonal piece corresponds to a contrapuntal realization of the tonic.

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The bands in Goth metal have names such as Cannibal Corpse, Cradle of Filth, Six Feet Under, and Type O Negative. They are known for having songs that deal with death and other dark things. Six Feet Under is another band who I’m not too familiar with so I really can’t talk about how they can influence children. All I know is that their most recent album features a guy on the cover receiving a lobotomy by machines. Cradle of Filth is a band that combines witchcraft with music to make really sick and twisted lyrics. They are a band that I listen to because I like the way the singer alters his voice to sound all weird like a witch. The people of the United States do not approve of their music or concerts

Heinrich Schenker's analytical approach of music engages looking beneath the surface of music in order to understand how it connects into larger spans. It is important for the performer to reflect on the direction and shape of the phrases, in a natural and logical way. At the basic level, one can understand Schenker's ideas as a formalization of his intuitive thinking that music should not be regarded as a series of notes, but in terms of larger-scale shapes and patterns.

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Primary tone (Kopfton) is the first note of the Urlinie (meaning the , or ). Finding the correct primary tone is an important aspect as it can make a considerable difference to the rest of an analysis. If the Urlinie appears is elaborated of an initial ascent, the Kopfton will not be found right at the beginning of the piece.

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